Gullah me
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Exhibits


About Gullah Me

"Gullah Me" is a new collection of 21st Century Gullah Art created by native-born Gullah artist, Verneda Lights. The works in the collection is ongoing. As a combination of traditional and digital media, "Gullah Me" is Gullah art that pushes back and builds upon the historic aesthetic of Gullah visual art while exploring the full-flowering of African retentions of Gullah Culture in the Information Age. 

Roster of Exhibits | Webinars | Presentations

Online, National Council on Aging: "Aging Well for All, 2023"
Webinars and Presentations
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“Caterpillar Dreams,” Yale Center for Collaborative Arts and Media; Ultra Space Symposium, April 27, 2023 (presenter/ artist/ author) (https://yaleultra.space/Participants)
“Gullah Me 2.0 NFT Project: From Oral History to the Blockchain,” hosted by the Bryn Mawr Club of New York, March 21, 2023 (speaker)
“Techspressionism Interview: My Evolution as an Artist,” interviewed by Colin Goldberg, February 3, 2023 (https://www.youtube.com/watch?v=8x8eIkbpHws)
“Gullah Me 2.0 NFT Project: From Oral History to the Blockchain,” hosted by Research Triangle Book Club, February 6, 2022 (speaker)
“Writing Social Justice: Gullah Me 2.0 NFT Project | From Oral History to the Blockchain,” hosted by the Riverside Writer’s Group, February 2, 2022 (speaker)
“Gullah Me 2.0 NFT Project,” hosted by Niftorian NFT International Artists Accelerator Program, November 9, 2022 (participant)
“Gullah Me," artist’s walk hosted by the Beaufort Digital Corridor, August 6, 2021 (https://www.facebook.com/events/948364969065278/) (speaker)
Exhibitions (Group):
​

• Occupy Museums Group Exhibit Whitney Biennial, Whitney Museum,
NYC, 2017
• Wild Cuts, Woman Made Gallery, Chicago, 2017
• Eye of Photography, L’Oiel de la Photographie (online), [Location], 2017
• Moja Arts Festival, City Gallery on the Waterfront, Charleston (SC), 2017
• Homeostasis Lab, The Wrong (Global Biennial), Sao Paolo, (http://
www.homeostasislab.com/ Verneda-Lights), 2018
• Portraits Americana, Albrecht-Kemper Museum of Art, St. Joseph, MO,
2019
• Inaugural Art Exhibit, Hilton Head Town Hall, 2018
• Suffra-Jetting, Woman Made Gallery, Chicago, 2020
• Represent: New Portraiture, Barrett Art Center, Poughkeepsie, NY, 2021
• Up Close and Personal, Trolley Barn Gallery | Art Effect, Poughkeepsie,
NY, 2021
• Gullah Me, Harlem Fine Arts Show, (online. https://
onlineviewingroom.com/exhibition/EVLX598SCZ95/), 2022
• Techspressionism Digital and Beyond, Southampton Arts Center,
Southampton, NY, 2022
• Woman - 2022, Exhibizone | BiafarinArt platform, (online. https://
www.exhibizone.com/p/woman-2022.html?AW=AW127509000&m=1),
2022
• Generations: 30 Years of Woman Made Gallery, Woman Made Gallery,
Chicago, IL, 2022
• ORIZZONTI TRASVERSALI, M.A.D.S. Galleries, Milan and Canary Islands,
2022
• Divulge, d’Art Center, Norfolk, VA, 2022
• Moja Arts Festival Juried Art Exhibit, City Gallery on the Waterfront,
Charleston, SC, 2022
• Guardians of Dreams, M.A.D.S. Galleries, Milan and Canary Islands, 2022
• Brain Cake, Gaudi Room, La Pedrera, Barcelona, Spain, 2022
• Blackout, Ashton Gallery, San Diego, CA, 2022

Commissions
• Edward M. Kennedy Institute for the United States Senate, Designed
custom chair for trailblazer Raffi Freedman-Gurspan, as part of the “A
Seat at the Table” exhibit, 2019-2021

Solo Exhibits
• E-graphX, 400 Colony Square, Atlanta, GA, 2010
• Gullah Me, BASEcamp Gallery, Beaufort Digital Corridor, Beaufort, SC,
2021

​​Publications:
​“Caterpillar Dreams,” Anthology of CCAM Proposals, Yale Center for Collaborative Arts and Media, 2023 (publication in progress)
Writing Poetry and Justice, Riverside Church, 2022
• Writing Environmental Justice, Riverside Church, 2022
• Writing Social Justice, Riverside Church, 2022
• Maintenant 13: International Journal of Dada Art and Writing, Three
Rooms Press, 2019
• Whitefish Review #22, Mountain Culture Literary Journal, 2018
• Consumnes River Journal. Consumnes River University, 2018
• Helix Magazine, Central Connecticut State University, 2018
• UPPERCASE Quarterly, Uppercase Publishing, 2017
• Studio Visit Magazine, Open Studios Press, 2017
• Creative Handbook, Centaur Communications, 2010
• Highlighted for cultural contributions as a Black female physician from the South Carolina Low Country.
• “Working Women Stories and Poems,” McGraw Hill and the Feminist
Press, 1978 (short story)
• Dog Moon, Sunbury Press, 1976 (Poetry published with the aid of a small
press grant from the National Endowment for the Arts.)
• RA Magazine of Black Literature, The Sisterhood of Bryn Mawr College,
1972-73 (Founder and Editor-in-Chief)
Selective Media Coverage
• “Medical School,” Donald Drake, 1978. Role: Featured as a medical
student and performance poet who was married to drummer, Ron Gilliam,
who was also the leader of our band ("Rikki Lights and the Gilliam
Brothers Band: A Jazz Rock! Poetry Review")
• “Sea Change in the Sea Islands: No Place to Lay Down Weary Head,”
National Geographic, December 1987. (Featured as a Black female
physician from the SC Low Country.

Bio

Picture
Verneda Lights
Verneda Lights is a visual artist, photographer, performance poet, and published author of poetry and fiction. She is also a retired physician, science writer, and griot of the South Carolina Lowcountry’s Gullahgeechee Nation. Her body of work encompasses digital and traditional fine art, as well as surface pattern design. She is best known for her #Afrosurreal, #Afrofuturistic, #Post-Gullah-Art, and #Techspressionist works on canvas and paper. Her most recent oeuvre, “Gullah Me,” utilizes technology, abstract portraiture, and photomontages/ collages, as tools for the multidimensional storytelling of her journey as a family caregiver and healer in the rural South. Verneda believes that “art is a medicine, and medicine is an art;” therefore, she uses her art-based storytelling as a medium for stress management in caregiving settings. 

Within the past five years, Verneda’s work has been exhibited at the Whitney Biennial (as part of the Occupy Museums group exhibit), the Albrecht-Kemper Museum of Art, Woman Made Gallery, the Edward M Kennedy Institute for the United States Senate, Barrett Art Center, Trolley Barn Gallery, and The Wrong Biennial. From April to June 2022, her work will be exhibited at the South Hampton Art Center, as part of the first internationally juried Techspressionist* 2022 exhibit. Verneda's "Gullah Me" collection is currently showing online, in the Harlem Fine Arts Show platform. She projects that her “Gullah Me” photo book will be available by the end of 2022.

​A native of the South Carolina Lowcountry, Verneda is a graduate of Bryn Mawr College, the University of Pennsylvania Perelman School of Medicine (MD), and Strayer University (MBA). She also holds a certificate in International Arts Management from the International Leadership Program in Visual Arts Management, a program offered jointly by NYU’s Steinhardt School of Culture, Deusto University Business School, and Guggenheim Museum (Bilbao, Spain).

*Techspressionists are artists who use technology to express emotion through art. (See HTTPS://techspressionism.com ) Also see definition in Urban Dictionary: https://www.urbandictionary.com/define.php?term=techspressionist 
  • Instagram handle: @vernedalights
  • Twitter handle: @vlights
  • Facebook: HTTPS://www.facebook.com/egx.omedia
© 2016-2022 Verneda Lights. All Rights Reserved.
Contact info: E-graphX Omnimedia
                   P.O. Box 234
                   Port Royal, SC 29935
​                   Phone: (843) 476-6168
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